The Doors: Live At The Roadhouse, 1968

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Source: The Doors

Source: The Daily Journal

I’m thinking the cameraman, or perhaps the camerawomen, really liked Jim Morrison and was really attracted to him. Because in the first two minutes of this show alone, you see several closeups on Jim Morrison’s leather legs and leather suit, sitting on the stool with his legs sticking out in his skin-tight black leather jeans and black leather jacket, with his concho belt. It has been said that Morrison, wore the skin-tight leather pants, leather jeans really, with the concho belt, because he wanted to highlight his crotch. Which makes a hell of a lot of sense, because if you watch this show, or Live at The Hollywood Bowl, or The Doors in Copenhagen, or The Doors in London, The Doors on Ed Sullivan, just to use as examples, there are several closeups upfront of Morrison in his leather suit and right on his legs, butt and crotch. I mean if you’re actually attracted to the man, watching all of this footage is a great way to see him.

As far as this show, I think it’s The Lizard King as it his best. Just wish this show was in color and since it was done in 1968, that would’ve been a fairly easy thing to do. But with Morrison, you get great vocals and his role-playing and acting and moving around and the dancing. And Ray Manzarek, if anything who had a better singing voice than Morrison, at least singing blues, doing a great job on the keyboards. When The Music is Over, and Love Me Two Times, I think are their best songs in this show. Love Me Two Times, comes with a great music video as well. And you have Morrison going off the cuff and doing a little story telling as well. And they finish with, well The End, what else. Which is their great war song, even though it wasn’t written directly for the Vietnam War. But considering this was 1968, the timing of this song was simply perfect.

As what can be said about a lot of The Doors performances, I just wish they were shot in color. Which is one reason why Oliver Stone’s version of The Doors, whatever you think of the movie, is actually very important. Because it gives you a very good idea of what The Lizard King was like in color. Even with Val Kilmer, being a much larger and taller man than Jim Morrison. But it would be nice to see a colorized version of a lot of these performances. But the sound of these performances and how Morrison sounded and how the band played, is very good, even in black and white. Which doesn’t affect the sound of these shows. But the shows would’ve been better had they been done in color. Like with The Hollywood Bowl, Ed Sullivan, Smothers Brothers, Jonathan Winters. And maybe a colorized version of this show, will be available at some point.

The Doors: Live At The Roadhouse, 1968

Ms. Moonlight Drive: The Doors- Spanish Caravan: Live At The Hollywood Bowl

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Source: Morrison Hotel Gallery– The Lizard King Jim Morrison 

Source:The Daily Journal

Certainly one of the most memorable concerts from The Doors. Because it was in Hollywood, at The Hollywood Bowl, it was in color, summer of 1968. Part of a very crazy and chaotic year and chaotic decade (at least the late 1960s) and The Doors, certainly Jim Morrison represented this era, time and generation as well as it could be represented. America was in transition in the 1960s from the Leave it To Beaver 1950s where men were expected to work, get married, have kids and continue to work. Where women were expected to just get married and then stay home and raise their kids. But by the 1960s the Baby Boomers started coming of age and becoming young adults. And didn’t want their parents Leave it To beaver lifestyle and didn’t see everything in black and white, including most of the entertainment. And wanted to break out and create their own American culture and lifestyle. Ways of doing things and living and Jim Morrison I believe almost perfectly represents what this generation was going through back then.

Ms. Moonlight Drive: The Doors- Spanish Caravan: Live At The Hollywood Bowl

Keith Richardson: Lita Ford Jamming From 2008

Source: Real Life Journal

A sexy rocker chick who can play. Just from a guy’s point of view this is great to see. A very attractive woman who is a rocker chick, who can play. You know she’s not just up there because she’a an attractive blonde who wears tight outfits practically all the time as you see on this video. Lita Ford has been as successful as she has been as one of the top rocker chicks of the 1980s, because she can play, sing and write music. She’s not some rock groupie who is around simply to make her rock star boyfriend feel good and live off of him. She’s there because she can play the guitar, sing and has music that millions of hard rock fans love. She’s a woman with a very sexy style, but also someone with some real substance, which is why she’s not just one of the top rocker chicks of the 1980s, but like Joan Jett she’s still playing today. And is someone that young rocker chicks today like Lizzy Hale love and enjoy playing with. Instead of some one-hit wonder who was simply there because she had one song that was a hit and didn’t put an album together. Or ruined her career with alcohol and other drugs.

Keith Richardson: Lita Ford Jamming

Teenage Nightmare: Coyote Ugly 2000- One Way or Another

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Source: Coyote Ugly

Source: Real Life Journal

First of all, I don’t believe this scene is believable and at risk sounding valley, it looks totally Hollywood. Which is sort of another way of saying that it looks made up, not real. I mean you essentially have a bar fight if not riot in the bar and this very young women who could pass as a little girl if she needed to wanted to, gets up on the bar and starts singing and the fighting stops to hear her sing. Now having said all of that, Piper Perabo did a very good job with a very good song. She doesn’t make you forget about Joan Jett, but I’m not sure that is possible. One of the great things about Coyote Ugly, the movie or the real business is the music. And this is an example of that. And the music might only trail the women of Coyote Ugly as far as importance to it.

Teenage Nightmare: Coyote Ugly 2000- One Way Or Another

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